The Southeast tower holds 2 guest rooms which share a bath. Giudecca, shown here, is simpler than the rooms downstairs but no less elegant. The centerpiece is, again, a magnificent canopied bed.
I love the decorative plaster work on the walls highlighted in mint green and tan, so evocative of the time period. The room is named after an island in Venice as it overlooks the Venetian-styled bridges and ornaments along the waterfront.
At the foot of the bed (raised on a platform for some reason) are two Louis Vuitton traveling trunks. I suppose guests would need to pack a lot because they would never want to leave!
One of the most feminine guest rooms at Vizcaya is named Espagnolette. All of the guest suites were named after historical characters from literature and feature different design styles. Each suite comfortably features a bathroom and ample walk in closet.
This bedroom has access to Mr. Deering's bedroom suite via the balcony so one suspects that his most special female guests were invited to stay, if you get my drift. The room's name fittingly refers to a young decolletee woman from the 18th century, such as the ones depicted by Watteau. While he never married and remained deeply private about his personal affairs, Deering is known to have had several mistresses throughout his lifetime and certainly they were invited to stay at Vizcaya and probably in this suite. Chalfin chose to decorate the room in a romantic Venetian interpretation of French Rococo style. The room features an antique period mantelpiece but the centerpiece remains the magnificent canopied bed.
The main guest suite at Vizcaya is in the opposite corner of Mr. Deerings offering views of both Viscayne Bay and the Formal Gardens. Occupying the physical corner is the sitting room named Galleon after the shipping vessels which inspired the house.
The wood walls are painted to imitate marble and display a collection of 18th century Italian landscape paintings. As throughout the rest of the house, the diverse decorations include 18th century Italian and English furniture with a French Savonnerie carpet.
This extravagant suite seems like an amazing place to stay for Deering's guest of honor -wouldn't you say?
My Australian 'penpal' has been traveling again and has sent me loads of photos from fascinating places around the world! I had to share 'Red House' with you, the home of Arts & Crafts artist William Morris.
Alfred Dupont loved his estate, 
Filled with incredible photography primarily by Marc Walters, the book showcases the love of exotic Eastern influences which began to inspire the Western world nearly 400 years ago.
Recently I attended an alumni event at the Cosmos Club which is housed in the old Townsend Mansion.
This mansion along embassy row has long been one of my favorite stately Beaux Arts houses of DC, designed by renowned architects Carrere and Hastings and finished in 1901. Fittingly enough, John M. Carrere had been a member of the Cosmos Club from 1905 until his death in 1911.
A true townhouse, the design is a piano nobile, with the primary rooms on the second floor, further away from street noise and dust. After entering the grand foyer seen above, you ascend into a grand hall, reminiscent of the great halls of stately country manors, large enough to double as an entertaining space.
This is the staircase today on the 2nd floor. The configuration has changed a bit from the original with the parlor now serving as entry hall and the doorways into the hall and small parlor being closed.
The parlor has not changed much and is the most beautiful room in the house.
Rather than art hung on the walls (with the exception of the portrait above the mantel), they are painted with beautiful murals with the delicate plasterwork painted white.
You can see how impressive this room is, but not over scaled for the size of the house.
Fascinating to see the workings of a private club with piles of daily newspapers on this table.
This doorway leads you to the main hall.
Loved this bust of Benjamin Franklin and you can see a bit of detailing in the murals.
Adjacent to the parlor is the 'small parlor' decorated in more of an Empire style.
As you can see, this room hasn't changed much either. The damask wall hangings have been replaced with plain painted plaster.
Based on the photographs, a lot of the furnishings are from the original owner, Mary Scott Townsend, although used in different areas of the house.
This table was originally in the library, next door.
Mrs. Townsend lived in the mansion until her death in 1931 when her daughter and husband moved in, Mathilde & B. Sumner Welles. 
During WWII, the house was leased to the Canadian Women's army corps and was later sold to the Cosmos Club in 1950 for only $364,635 (after they had been paid $1,000,000 for their previous space - smart financial move). 
The club has taken immaculate care of the house and continues to do so. In 1973 it was added to the National Register of Historic Places.
Here you see the library in Mrs. Townsend's time. It has had some changes, many years ago to my eye as they feel residential, probably under the care of her daughter Mrs. Welles.
Here you see the table which now is in the small parlor.
This original fireplace above has been replace with a much older renaissance styled chimneypiece.
The intricate plaster and wood beamed ceilings are original although now painted white.
Even the hall has a fireplace. The mantels found throughout the house were much deeper than any I had seen before, well over 24".
Across the hall from the library is the dining room with breakfast room alcove.
The room is richly paneled with a painted ceiling.
On the opposite side of the room from the fireplace is a built-in marble server, matching the mantel.
Here you begin to see the ornate ceiling decoration. The recessed lights are obviously not original and clearly unfortunate. 
A detail of the beautiful paneling.
The Cosmos Club has expanded far beyond the original building through numerous additions and also acquiring adjacent properties. The dining room has become an internal room now and this walkway goes past the breakfast room bay.
The hall is artfully treated as a conservatory which I feel respects the original house.
The ballroom on the plan above is currently being renovated so I was unable to get a picture, but here is one from Mrs. Townsend's time.
The bedrooms upstairs were no less grand or less sumptuously detailed than the main rooms below.
